Friday, 22 January 2016
Thursday, 21 January 2016
Creative Art & Contemporary Art :
Creative Art &Contemporary Art :
--
अप्सरा, गंधर्व, यक्ष, पिशाच, दैत्य, दानव, देवता, विद्याधर, मरुद्गण,
apsarā, gaṃdharva, yakṣa, piśāca, daitya, dānava, devatā, vidyādhara, marudgaṇa,
--
There are these Cosmic spirits wandering freely as and where-ever they want to roam about :
अप्सरा, गंधर्व, यक्ष, पिशाच, दैत्य, दानव, देवता, विद्याधर, मरुद्गण,
apsarā, gaṃdharva, yakṣa, piśāca, daitya, dānava, devatā, vidyādhara, marudgaṇa, sur, asura, yaksha, rākṣasa, daitya, daanava, ...
The 'natures' associated with Creative Art.
This applies to all kinds of Art, be it literature, poetry, sculpture, dance, drama, music or painting. All equally find a way of expression through the creative instincts and inspirations of the Artist. And all these instincts and inspirations are the spirits that take the Artist for a ride and pay him / her rewards in terms of wealth, name, luxuries, social success and other things of the transient kinds.
You can at once recognize and detect the artist from his / work. As if he / she has put his / her signature on the thing he / she has created and the work carries the same on its face. And its so authentic that you can at once tell / distinguish a fake from the genuine. Again, one who can appreciate this distinction, can also recognize the very spirit that prompted the Artist to create this Signature-Art.
Joys and sorrows, pleasures and pains, agonies and ecstasies,
Amorous, fascinating, platonic, spiritual, haunting, scaring, enduring or momentary, elevating or depressing, stressful or pleasant, degenerating or devastating to complete annihilation, though often inexplicable of Creative Art.
--
--
अप्सरा, गंधर्व, यक्ष, पिशाच, दैत्य, दानव, देवता, विद्याधर, मरुद्गण,
apsarā, gaṃdharva, yakṣa, piśāca, daitya, dānava, devatā, vidyādhara, marudgaṇa,
--
There are these Cosmic spirits wandering freely as and where-ever they want to roam about :
अप्सरा, गंधर्व, यक्ष, पिशाच, दैत्य, दानव, देवता, विद्याधर, मरुद्गण,
apsarā, gaṃdharva, yakṣa, piśāca, daitya, dānava, devatā, vidyādhara, marudgaṇa, sur, asura, yaksha, rākṣasa, daitya, daanava, ...
The 'natures' associated with Creative Art.
This applies to all kinds of Art, be it literature, poetry, sculpture, dance, drama, music or painting. All equally find a way of expression through the creative instincts and inspirations of the Artist. And all these instincts and inspirations are the spirits that take the Artist for a ride and pay him / her rewards in terms of wealth, name, luxuries, social success and other things of the transient kinds.
You can at once recognize and detect the artist from his / work. As if he / she has put his / her signature on the thing he / she has created and the work carries the same on its face. And its so authentic that you can at once tell / distinguish a fake from the genuine. Again, one who can appreciate this distinction, can also recognize the very spirit that prompted the Artist to create this Signature-Art.
Joys and sorrows, pleasures and pains, agonies and ecstasies,
Amorous, fascinating, platonic, spiritual, haunting, scaring, enduring or momentary, elevating or depressing, stressful or pleasant, degenerating or devastating to complete annihilation, though often inexplicable of Creative Art.
--
Monday, 18 January 2016
धीर-समीरे... (जयदेव) / dhīra-samīre... (jayadeva)
धीर-समीरे... (जयदेव) / dhīra-samīre... (jayadeva)
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rati-sukha-sāre gatam abhisāre madana-manohara-veśam |
na kuru nitambini gamana-vilambanam anusara taṃ hṛdayeśam ||1||
dhīra-samīre yamunā-tīre vasati vane vanamālī |
gopī-pīna-payodhara-mardana-caṃcala-karayuga-śālī ||dhruvapadam||
--
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rati-sukha-sāre gatam abhisāre madana-manohara-veśam |
na kuru nitambini gamana-vilambanam anusara taṃ hṛdayeśam ||1||
dhīra-samīre yamunā-tīre vasati vane vanamālī |
gopī-pīna-payodhara-mardana-caṃcala-karayuga-śālī ||dhruvapadam||
--
Thursday, 14 January 2016
गौतम ऋषि तथा अहल्या / gautama ṛṣi and ahalyā
गौतम ऋषि अहल्या इन्द्र भगवान् तथा श्रीराम
gautama ṛṣi ahalyā indra and bhagavān śrī-rāma.
--
Who was / is गौतम ऋषि / ?
Who was / is अहल्या / ?
Who was / is इन्द्र / indra ?
Who is / was राम / rāma ?
गौतम ऋषि / gautama ṛṣi means purest essence of senses ( पुरुष / puruṣa / जीव / jīva ).
-The higher Consciousness in man. (Self)
अहल्या / ahalyā means the earth (physical body of man)
not plowed / not-cultivated, pure.
-The lower Consciousness in man.(physical body)
Thus these 2 constitute the man.
इन्द्र / indra is but the Lord of heaven, the fulfilment and pinnacle of all worldly desires, that defiles and seduces the Lower Consciousness of man (अहल्या / ahalyā) and man is cursed by the Higher Consciousness (गौतम ऋषि / gautama ṛṣi ) in himself, to become 'stone', - insensitive. But in His Kindness The Higher Consciousness also blesses the Lower Consciousness of man, that she will be freed from this fall and be emancipated by the Divine Consciousness, liberated from this curse and attain Her inherent pristine purity when she is touched by the Holy Feet of Lord भगवान् श्री राम / bhagavān śrī rāma.
--
gautama ṛṣi ahalyā indra and bhagavān śrī-rāma.
--
Who was / is गौतम ऋषि / ?
Who was / is अहल्या / ?
Who was / is इन्द्र / indra ?
Who is / was राम / rāma ?
गौतम ऋषि / gautama ṛṣi means purest essence of senses ( पुरुष / puruṣa / जीव / jīva ).
-The higher Consciousness in man. (Self)
अहल्या / ahalyā means the earth (physical body of man)
not plowed / not-cultivated, pure.
-The lower Consciousness in man.(physical body)
Thus these 2 constitute the man.
इन्द्र / indra is but the Lord of heaven, the fulfilment and pinnacle of all worldly desires, that defiles and seduces the Lower Consciousness of man (अहल्या / ahalyā) and man is cursed by the Higher Consciousness (गौतम ऋषि / gautama ṛṣi ) in himself, to become 'stone', - insensitive. But in His Kindness The Higher Consciousness also blesses the Lower Consciousness of man, that she will be freed from this fall and be emancipated by the Divine Consciousness, liberated from this curse and attain Her inherent pristine purity when she is touched by the Holy Feet of Lord भगवान् श्री राम / bhagavān śrī rāma.
--
Tuesday, 12 January 2016
संस्कृत / saṃskṛta : कावेरी / kāverī
संस्कृत / saṃskṛta
--
दर्शनाद् मोचयति रेवा स्पर्शाद् जाह्नवी तथा ।
स्मरणात् अपि गोदावरी कावेरी श्रवणादपि ॥
--
अर्थ :
नर्मदा दर्शनमात्र से मनुष्य को मोक्ष प्रदान करती है, गङ्गा स्पर्श (स्नान) से, गोदावरी स्मरण मात्र से, जबकि कावेरी श्रवणमात्र से ।
--
darśanād mocayati revā sparśād jāhnavī tathā
smaraṇāt api godāvarī kāverī śravaṇādapi ||
--
Meaning :
The river narmadā liberates one by merely having been seen, gaṅgā by having touched / bathed in, godāvarī by mere remembrance, while kāverī liberates even by hearing about Her.
--
--
दर्शनाद् मोचयति रेवा स्पर्शाद् जाह्नवी तथा ।
--
अर्थ :
नर्मदा दर्शनमात्र से मनुष्य को मोक्ष प्रदान करती है, गङ्गा स्पर्श (स्नान) से, गोदावरी स्मरण मात्र से, जबकि कावेरी श्रवणमात्र से ।
--
darśanād mocayati revā sparśād jāhnavī tathā
smaraṇāt api godāvarī kāverī śravaṇādapi ||
--
Meaning :
The river narmadā liberates one by merely having been seen, gaṅgā by having touched / bathed in, godāvarī by mere remembrance, while kāverī liberates even by hearing about Her.
--
Monday, 11 January 2016
The virtual 'Cat-cult'.
The virtual 'Cat-cult'.
(Just a guess...)
सतो हि कलितः सतो हि कुलितः
बभूव सत् तत् अलं सतोलिक:
कलितः च कुलितः तदेव सत्तत्
इतिलीयाः रोमनगरे च प्रथितः ॥
--
अर्थ :
वही ’सत्’ जो सनातन-धर्म है, विकार और कुल-परंपरा को प्राप्त होकर ’सतोलिक’ हुआ । इस प्रकार मूल धर्म विलुप्त होकर इटली के रोम नगर में ’कॅथोलिक’ परंपरा का जन्म हुआ ।
--
सत्-जात > सज्जात > सज्जाद > सज़दा > मस्जिद > साज़िद
--
sat-jāta > sajjāta > sajjāda > sazadā > masjida > sāzid
--
sato hi kalitaḥ sato hi kulitaḥ
babhūva sat tat alaṃ satolika:
kalitaḥ ca kulitaḥ tadeva sattat
itilīyāḥ romanagare ca prathitaḥ ||
--
Meaning : The sat which is the essence and substance of
sanātana-dharma / 'dharma', after degeneration and fall got the name and form of 'Catholic Tradition',The virtual 'Cat-cult'.
--
(Just a guess...)
सतो हि कलितः सतो हि कुलितः
बभूव सत् तत् अलं सतोलिक:
कलितः च कुलितः तदेव सत्तत्
इतिलीयाः रोमनगरे च प्रथितः ॥
--
अर्थ :
वही ’सत्’ जो सनातन-धर्म है, विकार और कुल-परंपरा को प्राप्त होकर ’सतोलिक’ हुआ । इस प्रकार मूल धर्म विलुप्त होकर इटली के रोम नगर में ’कॅथोलिक’ परंपरा का जन्म हुआ ।
--
सत्-जात > सज्जात > सज्जाद > सज़दा > मस्जिद > साज़िद
--
sat-jāta > sajjāta > sajjāda > sazadā > masjida > sāzid
--
sato hi kalitaḥ sato hi kulitaḥ
babhūva sat tat alaṃ satolika:
kalitaḥ ca kulitaḥ tadeva sattat
itilīyāḥ romanagare ca prathitaḥ ||
--
Meaning : The sat which is the essence and substance of
sanātana-dharma / 'dharma', after degeneration and fall got the name and form of 'Catholic Tradition',The virtual 'Cat-cult'.
--
Labels:
The 'Cat-cult'.
Location:
Ujjain, Madhya Pradesh, India
Sunday, 10 January 2016
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